Aug 27, 2016
Nevada Wier Seminar
Attended a great Seminar today taught by Nevada Wier. She is a multiple award-winning photographer specializing in the remote corners of the globe and the cultures that inhabit them. Her journeys have taken her crisscrossing the globe in search of compelling travel experiences and images. Her home base is in Santa Fe NM and since she was home in NM for a while our Photo Club was able to secure her talent.
Nevada was the photographer for The Land of Nine Dragons – Vietnam Today (Abbeville Press, 1992),photography from contemporary Vietnam, winner of the Lowell Thomas Best Travel Book of 1992 award, and the writer/photographer for Adventure Travel Photography (Amphoto, 1993). She was a participating photographer in A Day in the Life of Thailand (Collins, 1995),Planet Vegas (Collins, 1995), and Mother Earth (Sierra Club Editions 2002). Her current works in progress are A Nomadic Vision (publication TBA) and Myanmar: Lost in Timea photo book on Myanmar (publication TBA).
She widened our horizons, highlighting such things as, color, creativity, action, depth of field, reminded us we always need to SEE what is around us, and the need to form relationships to get better pictures of people in other cultures. Photography is about finding the best light, and problem solving, what one person my like others my not. So many concepts and ideas to enumerate in this blog, sign up to take one of her workshops or seminars in your area. To me photography is an ongoing learning experience, and a Nevada Wier Seminar; such a notable photographer, is a valuable learning experience.
In my photography I look forward to use and apply some of the new approaches Nevada presented and start using others that I have learned but forgotten to use.
I also want to share a few of the Quotes she gave us during the class.
“It had long since come to my attention that people of accomplishment rarely sat back and let things happen to them. They went out and happened to things. Leonardo da Vinci
“Life is pretty simple: you do some stuff.
Most fails. Some works.
You do more of what works.
If it works big, others quickly copy it.
Then you do something else.
The trick is to do something else.”
Leonardo d Vinci
“Creativity can solve almost any problem.
the creative act, the defeat of habit by originality,
“There are three classes of people:
Those who see,
Those who see what they are shown,
Those who do not see.”
Leonardo da Vinci
Aug 22, 2016
In July I attended Photoshop World in Las Vegas NV. It was wonderful!
(I just wish my husband could have gone to the venders section so he could buy me more photo stuff!)
The classes were all great, and the ones that I couldn’t attend, most of them are in the Photoshop World 2016 book so I can still study and learn those techniques. One class I didn’t make it to was taught by Katrin Eismann Entitled;”Modern-Day Photograhy Workflow: Moving Between iPhones, DSLRs and More”. I was especially interested in the Mobile apps for the iPhone, including Marbelcam, Prism, LD, Mextures, ProCamera, and Silk. As to their use, I have featured several of these Mobile apps as you can see by the gallery of photos on this post.
The iphone is often the only “camera” that one has with them thus the growth of iphoneography and more and more apps to enhance and improve the resulting photos. In 2013 Apple announced that one million apps were available for the iPhone! I usually limit my apps to the photo-related apps to enhance my iphoneography.
Katrin gave us the website for the 100 Best Photo apps. http://iphoneographyschool.com/100-best-apps/. Her website is www.katrineismann.com
There were several other classes on Mobile technology and all the new Mobile Adobe apps for the iPhone and iPad. One of my favorites in the Adobe family is Adobe Capture. New apps to learn and use–Lifelong Learning!
May 12, 2016
Stonehenge and its Replicas
Did you know that there are several Stonehenge replicas! I have visited one in Washington State, and one in Western Australia. I visited the original in England, years ago, and by viewing these replicas it is nice to see what the original probably looked like.
On a lonely bluff overlooking the Columbia River and the town of Maryhill, Washington, is a full-size replica Stonehenge. An almost identical copy of the more famous English Stonehenge, it was built by Sam Hill, a road builder, as a memorial to those who died in World War I. Dedicated in 1918, the memorial wasn’t completed until 1930. Hill passed away soon after he finally saw his masterpiece completed. He was buried at the base of the bluff; but, because he wished to be left alone, there is no easy path to his resting place. Pictures of this Stonehenge will follow;
The project began when Hill was mistakenly informed that the original Stonehenge had been used as a sacrificial site. He thus constructed his replica as a reminder that “humanity is still being sacrificed to the god of war.
The dedication plaque on this American Stonehenge reads:
“In memory of the soldiers of Klickitat County who gave their lives in defense of their country. This monument is erected in the hope that others inspired by the example of their valor and their heroism may share in that love of liberty and burn with that fire of patriotism which death can alone quench.”
Stonehenge in Australia
Stonehenge in AU with Alter Stone
Stonehenge in AU with Alter Stone in the round
Stonehenge in AU
Esperance AU soltice point
Esperance Stonehenge has been constructed on the South Coast of Western Australia.
There are thought to be 66 large, permanent replicas of Stonehenge throughout the world.
It is a full size replica of the original “Stonehenge” in the UK, as it would have looked around 1950BC.
137 Stones of Esperance Pink Granite quarried adjacent to the Beale’s property, in Esperance, Western Australia.
The 10 Trilithon Stones in a horseshoe pattern weigh between 28-50 tonnes each, standing with the 18 tonne lintels to a height of 8 metres.
Inside the Trilithon Horseshoe stands another Horseshoe of 19 Blue Stones.
The Trilithon Stones are surrounded by a circle of 30 Sarsen Stones weighing 28 tonnes each and standing almost 5 metres high including the 7 tonne lintels on top.
Positioned between the Sarsen Circle and the Trilithon Stones is a full circle of 40 smaller stones, referred to as the Bluestone Circle.
The Altar Stone weighs 9 tonne and lies in front of the tallest Trilithon Stones.
The structure is aligned with the Summer Solstice – Sunrise – Esperance WA. The Station Stones are positioned on this line to allow the suns rays to pass through to the Altar. The Summer Solstice is the longest day of the year (22nd December). The sunset on the Winter Solstice is (June 21st – the shortest day of the year). This is the same line as the Summer Solstice Sunrise.
For after hours contact call 90759003 or 0457647325.
Apr 29, 2016
New Zealand Birds
New Zealand baby Robin
New Zealand Stitchbird on Tiritiri Matangi
New Zealand KAKA
Oyster catcher Tiritiri Matangi
Sandpiper guarding the nest, Tiritiri Matangi
Tui on Tiritiri Matangi
Tui on Tiritiri Matangi
Takahes in a neighborhood
Weka bird hiding in Leaves
Kingfisher in New Zealand
Cape Barren Goose
Bellbird Tiritiri Matangi
New Zealand Gannet colony
New Zealand Gannet colony
New Zealand Birds
When humans arrived in New Zealand about 700 years ago the environment changed quickly. Several species were hunted to extinction, most notably the moa a giant flightless bird, (Check out http://www.bagheera.com/inthewild/ext_moas.htm) and harpagornis (https://en.wikipedia.org/wiki/Haast’s_eagle). The most damage was caused by habitat destruction and the other animals humans brought with them, particularly rats – the Polynesian rat or kiore introduced by Māori and the brown rat and black rat subsequently introduced by Europeans. Mice, dogs, cats, stoats, weasels, pigs, goats, deer, hedgehogs, and Australian possums also put pressure upon native bird species. The flightless birds were especially sensitive.
Consequently, many bird species became extinct, and others remain critically endangered. Several species are now confined only to offshore islands, or to fenced “ecological islands” from which predators have been eliminated. New Zealand is today a world leader in the techniques required to bring severely endangered species back from the brink of extinction.
During the early years of European settlement many bird species were introduced for both sport and for a connection with the settler’s homelands. New Zealand had a starkly different appearance to the countries from where the settlers came.
A wonderful place to visit near extinct birds is Tiritiri Matangi an Island off the NZ mainland. The following is from their website, and most of the bird pictures are also from the island.
Tiritiri Matangi Island
is a wildlife sanctuary and one of New Zealand’s most important and exciting conservation projects. It is located 30km north east of central Auckland and just 4km from the end of the Whangaparaoa Peninsula. A hundred and twenty years of farming had seen this 220-hectare island stripped of 94% of its native bush but between 1984 and 1994, volunteers planted between 250,000 and 300,000 trees. The Island is now 60% forested with the remaining 40% left as grassland for species preferring open habitat.
In conjunction with this planting program, all mammalian predators were eradicated and a number of threatened and endangered bird and reptile species have been successfully introduced, including the flightless takahe, one of the world’s rarest species, and the tuatara. There are few places in New Zealand where you can readily see and walk amongst so many rare species.
The project is managed by the Department of Conservation in conjunction with the Supporters of Tiritiri Matangi Incorporated.
A book on New Zealand birds–http://www.whitcoulls.co.nz/native-birds-of-new-zealand-5955027
Feb 1, 2016
Have you ever been to the Cadillac Ranch just outside of Amarillo Texas?
For a collection of junk it sure draws a lot of attention from people all over the World as they travel Route 66 across America.
It was started by a group of art-hippies. A Route 66 highlight. Read the article from the website:
On a Caddy at Cadillac Ranch
more information on;https://en.wikipedia.org/wiki/Cadillac_Ranch
The pictures one sees on the internet and recently will be different as the colors and pictures on the cars, even the cars themselves constantly undergo change.
Field review by the editors.
An aristocracy of roadside attractions has been raised over the years: glorified in photo essays, calendars, blogs, and social media fiefdoms; spotlighted in video and film; instantly recognizable as icons. These Great Monuments, we are told, represent America’s hopes and dreams, art and commerce, materialism and spiritualism, folly and fame.
Cadillac Ranch is one of them. Professional authors and screenwriters know a pre-baked, easy-to-get symbol when they see it. Who are we to buck the trend?
Standing along Route 66 west of Amarillo, Texas, Cadillac Ranch was invented and built by a group of art-hippies imported from San Francisco. They called themselves The Ant Farm, and their silent partner was Amarillo billionaire Stanley Marsh 3. He wanted a piece of public art that would baffle the locals, and the hippies came up with a tribute to the evolution of the Cadillac tail fin. Ten Caddies were driven into one of Stanley Marsh 3’s fields, then half-buried, nose-down, in the dirt (supposedly at the same angle as the Great Pyramid of Giza). They faced west in a line, from the 1949 Club Sedan to the 1963 Sedan de Ville, their tail fins held high for all to see on the empty Texas panhandle.
Another photo op fatality. (Darren Collins, victim)
That was in 1974. People would stop along the highway, walk out to view the cars — then deface them or rip off pieces as souvenirs. Stanley Marsh 3 and The Ant Farm were tolerant of this public deconstruction of their art — although it doomed the tail fins — and eventually came to encourage it.
Decades have passed. The Cadillacs have now been in the ground as art longer than they were on the road as cars. They are stripped to their battered frames, splattered in day-glo paint splooge, barely recognizable as automobiles.
Yet Cadillac Ranch is more popular than ever. It’s become a ritual site for those who travel The Mother Road. The smell of spray paint hits you from a hundred yards away; the sound of voices chattering in French, German, and UK English makes this one of the most polyglot places between the UN and Las Vegas. We last visited just after a Texas-size downpour, and yet a steady procession of acolytes trudged through the ankle-deep mud to make their oblations. Many were barefoot, cheerfully slogging through the muck of livestock pee and poo (and parasites) and spray can trash, happy to be there.
Graffiti illegal sign.
Despite its exposed location in an empty field, Cadillac Ranch seems to give its art-anarchists a sense of privacy and anonymity, like a urinal stall in a men’s room. Individual painters take a stance facing one of the cars, then let it fly. Surrounding visitors keep their distance, perhaps less out of courtesy than from a desire to stay clear of the spray cloud. The Europeans really seemed to enjoy attacking the cars during our visit, maybe because they’ve lacked a good graffiti canvas since the toppling of the Berlin Wall.
Tourists are always welcome at Cadillac Ranch. If you bring spray paint, make sure to snap some photos. Because whatever you create at Cadillac Ranch will probably only last a few hours before it’s created over by someone else.
– See more at: http://www.roadsideamerica.com/story/2220#sthash.IxI293xR.dpuf
Cadillac Ranch – Information about Journey across America through The Mother Road – Route 66, Route 395, Cadillac Ranch and Americas National Park. Maps, Articles, Local weather, Event calendar, News, Pictures and important information for travellers like itinerary, Identity papers and travel cost.
Paint Your Wagons: The Many Colors Of Cadillac Ranch
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